This fall, After Effects CC artists get more creative control and performance improvements to help meet ever-tighter deadlines. And if you’ve always wanted to get into After Effects but didn’t know where to start, friendly new Home and Learn panels give you the guidance you need to be successful.
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Faster, more precise animation and compositing
As a longtime motion designer, I know how important it is to have flexible tools. Earlier this year, we took that idea literally: the After Effects team introduced a new Advanced Puppet Engine that gives users more control over Puppet Tool deformations. This fall, we are adding two new pin types that open up whole new ways to animate. Bend, twist, scale, and warp your layers with new **Advanced Pins **and Bend Pins that take Mesh Sculpting to a whole new level.
Adjust the position, scale, and rotation of pins to add a sense of depth to your deformations — or try using them as a sort of free-form mesh warp tool. They make it easier to build more complex animation quickly, and they’re a ton of fun to play with.
We’re also working to smooth out some of the workflow gaps that can appear when combining assets from many different sources. Here’s one I always found puzzling: I could create 3D layers in After Effects, but the 3D Channel effects only worked with renders generated by other applications. You want to make 3D composites look natural, no matter where your 3D content comes from, so we’re enabling you to access **depth passes **for native 3D layers. Read Z-depth data from any 3D composition using either the Classic 3D or CINEMA 4D renderer: simply apply 3D Channel effects (Depth Matte, Depth of Field, Fog 3D) directly to a 3D precomp, or use 3D Channel Extract to access the depth pass directly for other purposes. And, as a bonus, 3D Channel Extract is now 32 bit.
Two exciting features, both of which make it easier to collaborate across Creative Cloud, have to do with our integration with both Adobe XD CC and Animate CC. The latest release of Adobe XD CC can export layers and artboards directly into your After Effects project. This new functionality provides seamless asset transfer between XD and After Effects, with native support for layers, artboards, vectors, text, and artwork. Interaction designers can send groups of layers to After Effects to composite into video, define advanced micro-interactions, or create more complex and refined transitions and interactions. For Animate, you can now import Animate CC projects as layered After Effects compositions. Add visual effects and extra polish to your Adobe Animate CC creations by importing them into After Effects as compositions. Animate project files (.fla) are transformed into layered compositions of .swf and audio files. Note that the new release of Animate (19.0) must also be installed on the same machine in order to import.
But my favorite new feature is under the hood: we’ve built a new **JavaScript expressions engine. **Not only is it built on modern frameworks, which means access to all kinds of new coding techniques,it’s up to 5x faster. We’ve also added much-requested UI niceties like a monospace font in the editor, and auto resizing. Most existing expressions should be forward-compatible (though the legacy engine is still an option if you enjoy writing code like it’s 1999). Plus, you now can enable or disable all expressions on selected layers with a simple switch, get clearer error messages, and use hexadecimal values in color expressions, making it easier to link color parameters to color values in data sources. It may not be as visually exciting as some of the other things we have on the way, but it’s definitely one of the most powerful updates.
We’re trading features with Premiere Pro
Lots of you asked for a great time-saving feature from Premiere Pro: Responsive Design – Time, which lets you create regions where animation maintains precise timing, even as you time-stretch your graphics. Now it’s available in After Effects, with added flexibility. Easily freeze intros and outros, or use the work area to select a custom region to protect.
Time stretch your composition, without having to worry about shifting keyframes around for every instance. Works great with Master Properties, too. Export your composition as a Motion Graphics template to give Premiere editors the same control: it’s especially handy for reusable graphics like lower thirds that animate on and off.
On the other side, Premiere Pro users have been asking for access to After Effects’ tools for srcset='./media_af7659004bae8a568dc4226f687019a8b1c3c2a2.jpg?width=750&format=webply&optimize=medium'>
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Adobe After Effects is a digital visual effects, motion graphics, and compositing application lets you design and deliver professional motion graphics and visual effects for film, TV, video, and web, After Effects can be used also for keying, tracking, compositing and animation, you can create editable 3D elements right inside After Effects with the new 3D rendering engine from Cinema 4D.
Features
- 3D rendering engine: Improve rendering performance on your CPU and create elements such as 3D text and logos inside After Effects with the new 3D rendering engine from Cinema 4D, no need for specific hardware.
- Team Projects (Beta): collaborative post-production workflow and share sequences and compositions in real time, Features like version control and conflict resolution are built right into After Effects, Premiere Pro and Prelude so teams can work better together.
- Playback in Real-time : Now you can play back raw footage in real-time without the need for rendering or caching first which will speed up your workflow and save you lot of time.
- Live Text Template improvements: Now instead of sharing a live text template by providing a complete project file you can just package your compositions in a single file which easily to share Live Text Templates with Premiere Pro.
- Faster effects and interactive performance: Get rid of bottlenecks and work faster with more GPU-accelerated effects, as well as Dynamic Link improvements that eliminate intermediate rendering between Premiere Pro and After Effects.
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